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Wordplay can be seen as a genuine interface phenomenon. It can be found both in everyday communication and in literary texts, and it can fulfil a range of functions - it may be entertaining and comical, it may be used to conceal taboo, and it may influence the way in which the speaker's character is perceived. Moreover, wordplay also reflects on language and communication: it reveals surprising alternative readings, and emphasizes the phonetic similarity of linguistic signs that also points towards relations on the level of content. Wordplay unravels characteristics of literary language in everyday communication and opens up the possibility to analyze literary texts from a linguistic perspective. The first two volumes of the series The Dynamics of Wordplay therefore aim at bringing together contributions from linguistics and literary studies, focusing on theoretical issues such as basic techniques of wordplay, and its relationship to genres and discourse traditions. These issues are complemented by a series of case studies on the use of wordplay in individual authors and specific historical contexts. The contributions offer a fresh look on the multifaceted dynamics of wordplay in different communicative settings.
Metalanguage. --- Linguistic Innovation. --- Metalinguistic Reflection. --- Pun. --- Wordplay.
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Was zeigen uns Wortspiele über das Funktionieren von Sprache und Kommunikation? Wie groß sind die kreativen Freiräume, die im Wortspiel genutzt werden - und wo gibt es Regeln und Grenzen des Spiels? Sprachspielerinnen und -spieler der Gegenwart präsentieren in Texten und Interviews ihre Gedanken zum kunstvollen Umgang mit Sprache und zu grundlegenden Eigenschaften des Spiels mit Wörtern und Sprache. Beiträge aus Bereichen wie Literatur, Film, Kabarett und Poetry Slam werden ergänzt durch Kurzbeiträge aus der Wissenschaft, die unterschiedliche Perspektiven der Analyse von Wortspielen aufzeigen. Der Band greift damit theoretische Fragen auf, die in den anderen Bänden der Buchreihe The Dynamics of Wordplay erörtert werden. Im Rahmen der Brückenschläge zwischen Wissenschaft und Praxis ergeben sich vielfältige Querverbindungen, und es zeigen sich übereinstimmende Beobachtungen wie auch sich wechselseitig ergänzende Perspektiven auf das Wortspiel in seiner Vielseitigkeit und Komplexität. What does wordplay teach us about the function of language and communication? What creative open spaces are used in wordplay, and what are the rules and limits that govern the game? The volume presents ideas of masters of wordplay from literature, film, cabaret, and poetry slams along with brief scientific analyses. The dialogue between theory and practice reveals the diverse complexity of language play.
Language --- Linguistics --- Literature: history & criticism --- Creativity. --- Language Art. --- Wordplay.
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Wordplay involving several linguistic codes represents an important modality of ludic language. It is attested in different epochs, communicative situations, genres, and contexts of use. The translation of wordplay, which is generally seen as a challenging enterprise, illustrates another dimension of crossing linguistic borders in wordplay. The third volume of the series 'The Dynamics of Wordplay' unites contributions from different disciplines which study the creative and playful use of elements from different languages and the transfer of ludic language into other linguistic systems. It sheds light on the multi-dimensionality, special linguistic make-up, and specific interactive potential of wordplay at the interface of different languages and cultures. The individual studies collected in this volume will be of interest to scholars from different scientific fields, such as linguistics and literary studies as well as cultural and media studies.
Plays on words. --- Play of words --- Play on words --- Word play --- Wordplay --- Semantics --- Wit and humor --- Plays on words --- E-books --- Language Contact. --- Plurilingualism. --- Translation. --- Wordplay.
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This volume focuses on realisations of wordplay in different cultures and social and historical contexts, and brings together various research traditions of approaching wordplay. Together with the volume DWP 7, it assembles selected papers presented at the interdisciplinary conference The Dynamics of Wordplay / La dynamique du jeu de mots (Trier, 2016) and stresses the inherent dynamicity of wordplay and wordplay research.
E-books --- Conferences - Meetings --- Plays on words. --- Play of words --- Play on words --- Word play --- Wordplay --- Semantics --- Wit and humor --- Discourse traditions. --- Pun. --- Wordplay.
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Ce volume se dédie à l'analyse du jeu de mots dans des textes et contextes variés, explorant les différentes appréciations du jeu de mots au fil du temps ainsi que les intermédiaires entre jeux de mots et phénomènes annexes. Comme DWP 6, DWP 7 présente les aboutissements du colloque interdisciplinaire The Dynamics of Wordplay / La dynamique du jeu de mots (Trèves, 2016), qui font ressortir les dynamiques propres à ce champ de recherche. This volume is dedicated to the analysis of wordplay in a variety of texts and contexts. It explores the evolution of wordplay and its appreciation over time, as well as the intermediate stages between wordplay and related phenomena. Together with DWP 6, DWP 7 gathers selected papers from the interdisciplinary symposium The Dynamics of Wordplay / La dynamique du jeu de mots (Trier, 2016).
Discourse traditions. --- Diskurstraditionen. --- Pun. --- Wordplay. --- Wortspiel. --- LANGUAGE ARTS & DISCIPLINES / Linguistics / General.
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This volume focuses on realisations of wordplay in different cultures and social and historical contexts, and brings together various research traditions of approaching wordplay. Together with the volume DWP 7, it assembles selected papers presented at the interdisciplinary conference The Dynamics of Wordplay / La dynamique du jeu de mots (Trier, 2016) and stresses the inherent dynamicity of wordplay and wordplay research.
Plays on words. --- Play of words --- Play on words --- Word play --- Wordplay --- Semantics --- Wit and humor
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Jeux de mots célèbre le pouvoir créateur des jeux de langage dans la littérature de Rabelais à nos jours. Calembour, mot-valise, bon mot, néologisme, mot-fétiche : ce volume collectif s’attache au jeu de mots littéraire dans des domaines aussi variés que l’onomastique littéraire et l’écriture à contraintes, aussi bien dans la prose que dans la poésie. Les études de spécialistes ici réunies montrent comment, de Rabelais à Richard Millet en passant par Roussel et Roubaud et de Mallarmé à Fargue en passant par Apollinaire et le ‘nonsense verse’, la prose et la poésie explorent la productivité des mots, leur pouvoir de métamorphose et leur aptitude à faire infiniment glisser le sens. Le volume se termine par une ouverture sur le jeu de mots en philosophie et au cinéma. Jeux de mots celebrates the creative power of wordplay from Rabelais to present times. Puns, portmanteaus, ‘bon mots’, neologisms, fetish-words: this collective volume focuses on literary wordplay in very different fields such as literary onomastics and constrained writing, both in prose and in poetry. Specialists in the field show how, from Rabelais to Richard Millet through Roussel and Roubaud and from Mallarmé to Fargue through Apollinaire and ‘nonsense verse’, prose and poetry explore the productivity of words, their power of metamorphosis and their capacity to make meaning shift. The volume ends with a section on wordplay in philosophy and the cinema.
French literature --- Puns and punning in literature. --- Plays on words. --- Play of words --- Play on words --- Word play --- Wordplay --- Semantics --- Wit and humor --- History and criticism.
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Le maniement du langage manifeste un pouvoir créateur spécifique à l'être humain. Cette inventivité se révèle sous une forme concise dans les jeux des mots. En combinant de façon insolite sons, syllabes, structures syntaxiques et significations, les jeux de mots ouvrent un espace de virtuosité et de spéculation. Initiateurs de créativité, ils impliquent en même temps une dimension métalinguistique, sondant les frontières du dicible, les bornes entre sens et non-sens jusqu'à toucher à l'énigme, au grotesque, à la fantaisie verbale. Ils remanient des paradigmes, transforment les codes langagiers et discursifs et remettent en cause les sens préconstruits et les clichés socioculturels. Ce volume interdisciplinaire vise à éclairer l'interdépendance entre les jeux de mots et la notion de créativité. Il réunit des études qui, traversant les époques, explorent des genres et discours variés ; sont analysés la poésie des troubadours et les fatrasies médiévales, les inventions ludiques de Rabelais, les anagrammes chez Saussure, la littérature de jeunesse, les blagues et les devinettes, les pratiques scéniques et poétiques du slam, la créativité des enseignes commerciales et les techniques de l'Oulipo.
Constrained writing. --- Language creativity. --- Linguistics. --- Literature. --- Literaturwissenschaft. --- Semiotics. --- Semiotik. --- Sprachliche Kreativität. --- Sprachwissenschaft. --- LANGUAGE ARTS & DISCIPLINES / Linguistics / General. --- Play on words. --- Puns and punning. --- Punning --- Plays on words --- Play of words --- Play on words --- Word play --- Wordplay --- Semantics --- Wit and humor
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Francisco de Quevedo (1580-1645), one of the greatest poets of the Spanish Golden Age, was the master of the baroque style known as "conceptismo," a complex form of expression fueled by elaborate conceits and constant wordplay as well as ethical and philosophical concerns. Although scattered translations of his works have appeared in English, there is currently no comprehensive collection available that samples each of the genres in which Quevedo excelled-metaphysical and moral poetry, grave elegies and moving epitaphs, amorous sonnets and melancholic psalms, playful romances and
Spanish poetry --- Quevedo, Francisco de, --- poetic, poetics, poet, poetry, creative, writing, bilingual, spanish, language, selections, lifes work, golden age, spain, baroque, style, conceit, wordplay, rhyme, ethics, ethical, philosophy, philosophical, english major, college, university, textbook, translation, comprehensive, expression, literature, literary, metaphysical, moral, elegies, elegy, sonnet, psalm, burlesque, genre.
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This debut volume establishes Steve Willard as a true original, an artist whose kinetic sense of wordplay is deft, smart, and unfailingly provocative. Intended to be read in repeated passes, these poems are Cubist in feel, multifaceted in syntax, and brilliant in coloration. By turns disjunctive, narrative, plaintive, and disruptive, Harm. makes use of a wide formal range in reaching toward its ambition, which is nothing short of reclaiming lost human potentiality from current norms. Syntax flexes and the world is refigured, observed as if through a different camera's open aperture, drawing the reader to a new and transformative interior landscape.
Nature --- Poetry. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy --- ambition. --- coloration. --- contemporary poetry. --- cubist. --- disjunctive. --- disruptive. --- honesty. --- human possibility. --- interior landscape. --- invention. --- kinetic sense. --- literary poetry. --- lost human potential. --- multifaceted. --- narrative. --- original poetry. --- plaintive. --- poems. --- poet. --- poetry. --- provocative. --- repeated readings. --- subject and object. --- transformative. --- wordplay. --- writing style.
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